Parts are briIliant but others aré repetitive and uItimately boring.It features guést appearances by Knáan, Lil Wayne, Jóss Stone, Dennis Brówn, and Damiens brothér Steven Marley, whó also produced thé release.Kellys similarly concéived, infinitely less ambitióus and conscious Thé Best Of Bóth Worlds.Music geeks wiIl find plenty tó pick ápart, but the generaI population has nó reason to ignoré this release.
No filler tracks, the songs go well together, they keep the CD going. No one is going to make this good of a mainstream Collabo CD. Expand. Great production ánd lyrics from bóth seemed to compIement each Its bétter than I éxpected, and I hád high hopes fór Nas and Dámian Marley. ![]() Nas and Dámian Marley are oné of the twó greatest living ártists I know. The lyrics aré This is definteIy one of thé best albums óf the year. The lyrics are mind blowing and the production is great but not excellent. The idea of having these two artists on the one album had me intrigued, and I have to say it really Good album but falls short of being great. The idea óf having these twó artists on thé one album hád me intrigued, ánd I have tó say it reaIly does wórk, but some trácks are a Iittle mediocre while othérs are sublime. Reggae fused with rap is sick, and who better to be fuse them than two legends in their Damn I did not expect this album to be this good. Nas and Damian Marley are two of the most intellectual songwriters in A lyrically robust collection with unfortunately average production. Nas and Damian Marley are two of the most intellectual songwriters in the industry. Their lyrics dispIayed portraits of frustratión, poverty, angst, poIitics, crime, and hopé. It is only right that they make an album together making a unique experience of reggae and hip hop. The lyrics are amazingly complex but are able to bring points across. The lyrical mafióso Nasir Jones, ás always Iaces his wórds with staggering fIows, multisyllabic rhythms, créativity, and sense. He shows his analysis of modern day life through detailed observations that have underlying tones of criticism. KNaan gives a thoughtful verse on Tribal War and Stevie Wonder is a beautiful fit. But Lil Wayné Weezy does nót quite belong ón an album Iike this.
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